Friday, May 23, 2008

Such is the distance

Nature Notes

The light through its decline from beyond,
The slant of it
A sinking slope of gold and auburn,
The beach untouched;
Three canoeists are paddling
Or adrift in currents
And countless glittering blue
And white eddies and ripples.

Cameo of myself
Across a dune of yellow thyme
For the lunchbox and a surge of coffee.

Marketing thought –
Funny how not having
Looked at the present
Label made the first touch
Of the paste seem
Somebody was behind
Me, if not in front –
What a shock to the tastebuds.

Sapling clings to stone
To the left, first buds of
April and what I at first think
A bird’s nest at eye-height –
Debris from the swell and flood
Of winter. All is cold and
Tan red. Higher scrub
Shows grass and sacking
Eight feet above my head.
Strange to think I would
Have been underwater then.

And later, dry, ploughed and sown
Fields, wind tan, chemical taste
And salt… the dusky bitter
Winter warmth of nutmeg.


Tragic

Renya’s same darkening underpass
Of black stone, grit and shadow,
The darkening passage narrow
So she folds in both her elbows.

Renya was no one fast, I’d say.

Her head was suped up for a down,
A mulligatawny crown
Of the spiciest Tamil.
She was sure at a loss that day.

Renya was no one fast, I’d say.

Let’s face it, Renya was word-lost
Amongst reds, greens and in-betweens,
A myriad shrinking heads
Of their pharmaceutical dreams.

Renya was word-lost that day.

Renya’s same darkening underpass
Of black stone, grit and shadow,
The darkening passage narrow
So she folds in both her elbows.

Renya was word-lost that day.


Ashworth Litter

A pile of litter was then no more
Than urban slough, the shiny evidence
Of others without
Despoilation.

We took that faded upholstered train
On its tracks through cuttings into wilderness
Hard and grazing and worn,
Our first threadbare journey

Enough to reveal that life
Was not only torn from the known
But palpable, growing through its holes,
And this very nature was the stuffing

We had had knocked out of us,
It was only, but always the stuffing
And everything inside, nature beneath
The motley, faded green in beige sand

And blue volcanoes, it was everwhere,
Eruptive, soft but gritty and sharp
And we regained in that landscape
The inwardness we had lacked but found

We could tap with a scratch.
We realized the interior and marked it
As our own even as it had marked itself,
Untainted by the tidy brigade

Their crispbags emptied spoors
To now distant fingers,
Drained and twisted cartons
Tiny monumental facts


Anon.

'I was there in '84 - and the Lesser Quarter.'
An anonymous internet-post preys on my mind
As lightly as an enigmatic postcard, unsigned,
But dimly illuminating a shrouded past
With her 'fondly' lingering, without parting the dark
As though her own memory cheats mine - for a lark -
Such is the distance between St. Andrews and Prague.

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Wednesday, November 28, 2007

A Snippet Remembered

Looking towards the base from St. Andrews during sirens, 0400 hrs. (1984)

The moon has gone off
Lunar-lateral rotter
To look up the truth of the matter,
Which is
To some of us worthwhile;
A shock of satirists to a flock of sheep,
Pursed lips smiling, you disagree
Or mock the afflicted -
Which is it to be?
Let's drop the wrapper
And call it litter
And start again.

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Friday, October 05, 2007

Moving On
















Moving On

The road has become her passage, dark and placid
Thrusting along behind a vehicle unseen
I race in his wake and the absence of traffic
Trailing at night a love coursing the curves at speed

Hardly slowing, she or me - but never getting close
And maintaining a distance - as if I am strung
On a length of rope from a vast, fast-trailered boat
In the serpentine tarmac channel by Loch Earn

Daring me to draw ahead of her on the straight
She tacks sharply, bouncing wildly with each slight turn
Till lurching once more into the opposing lane
She is taunting me again with her angled stern

In all of this space to brake hard should it founder
I'm content at the end of my nautical line
When he cuts dead his motor, dragging to anchor
And abandoned by bouyancy, I pass her by


Celt

Awakening with me
Half-forgotten glimpses
Uninhibited sprites
Beneficent spirits
Rise in my unconscious
Unsettled as darkness
Now moving on to morn
Night for precious minutes
Delays their emission
The outcome still in thrall
To that remote space
Fast declining, yet recalled

Blinking back the new day
With closure as reward
Beneath their skinny sheets
My eyes are loathe to part
With the admittance dreams
Lift of their own accord
Yet vapours, they vanish
Extinguishing the heart
Dawn raiding with soft rain
Lightening evidence
From her brighter presence
To shade and remnant.


Lesser Town (Three Down)

Three from four is one
In the Mala Strana
Letting her formulae
Fall away from me
Easily as a magician
Or mathematician
I am forced to revisit
Unwelcome calculation

Three is the realised sum
For what was impossible
Now she is beyond my arms
Proves four-ways divisible:
Her love, her image of me
My vision of her, all gone
I have reached the singular loss
Three from four is one.


A Welsh Memory

We rose on Crib Goch then on such a high
That sky that morning fleet but disarrayed
Ridged cloud from each direction swept aside
Surprised as I as heavens snapped awake

Now through a leafless tree against the moon
I recall your shapes that finely bled away
As the distant orb of earth's creation
Shines through the lifelines held aloft to die

In dim capillaries to a distant world
I see in branches feeding out a sky
The thin pulse of life through so little wood
As history is felled, her branches cut




















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Tuesday, October 31, 2006

Hallowmas
















Photography

Capturing anticipation in a line
Still taut in the hesitancy of time
Rebalancing the seen with each new proof
Restoring the forgotten reel of choice
Accommodating what cannot be moved
Under the breath, held to achieve no noise
Retaining elusive, impermanent poise...
For in passionate inaccuracy lies
In mysterious shallows deeply prized
That last night pictured in the current lost
I dared to think to have tomorrow caught

Repeating anticipation in a line
Still taut in the hesitancy of time
Encapturing what in calm approaches
And shaken by what in turbulence died
With each shot there are reproaches
From yesterday, but out of time...
Tremulous hopes, like prophecy, part blind
Are bright scenes spun around a present dark
Snapped together to make in future sharp
That last night pictured in the current lost
I dared to think to have tomorrow caught


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Sunday, October 29, 2006

After Dark

















Scotland

Packed cemetery and empty presbytery
Clutch a grim faith beyond which glitter
All afternoon and evenly spaced
Overspilled graves from recent days
South-facing and respectfully distanced

Walk much later on a moonless night
The trafficless road non-reflective
Guide past summit and far copse:
There is no village to speak of
The little ricks roar, hiddenly spate

Brief borders within pitch quiet
And one day may pick out a bud
Or blade but nothing has ever shone
Beyond a last black row of gravestones
South-facing and respectfully distanced

Death of a Resort

At a gesture from the finger
Of the pier towards the fishshop
Taming gulls a lonely jukebox
Overflows its ‘fresh' catch
In off-seasonality

The sandcastles crumbling there
Once trails of poetry in their race
To release each brief bond,
Casting down in sure cascades
Of drying sand a history

Are a sleeping town’s gentility,
A mockery, perhaps a crack
At detritus in the lapping
Echo cast around affronted
Wynds, stark terraces

By Her Side

Two clocks, two clocks tick
With the beat of her heart
Tip-tap, between us,
Punctuality verged on flight,
Nearby a distant barking dog
Caught inside the hollowed tin
Of an empty radiator mounting
The only warmth between us
Tonight embodies everything
But this sound of our hearts
Tip-tap, between us


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Friday, October 20, 2006

The Tribe



The Tribe

People still with what is

Built alike on absence
From end punctuation
Or first dark impressions
Their paused expectations
Resound clearly as words

People still with what is

Built alike on absence
Never leaving the scene
Evident deletion
Nor sharing completion
That needs confirmation

People still with what is

Built alike on absence
From our imitation
Or later additions
Naming to destruction
That past limitation

People still with what is





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